10 Azusa Ca Cinema Foothill Regency

This remarkable new book is a collection of selected essays whose theses first came together in October 1988 at a conference sponsored by the National Endowment for the Humanities, "Concepts of History in German Cinema". The contributors include notable historians, film scholars, and German studies specialists who explore the complex network of social, psychological, and aesthetic factors that have influenced the historiography of German cinema and television. Over the past decade, media specialists have engaged in a variety of projects that address many questions concerning the historiography of film and television. Through their discussions they have reassessed conventional histories of cinema, examined the influence of cinematic and television narration in constructing history, and contemplated the role of media in historical development. Germans began to employ the medium of film to represent the past before the turn of the century, when, among other things, they attempted to document their Prussian heritage. Since then, German cinema and television have promoted history as a component of individual, cultural, and national identity by consistently and prominently treating historical subjects. Although it is relatively easy to document changes in the selection and handling of these subjects, it is more difficult to determine what motivated those changes. Assessments of the link between German cinema, television, and history have primarily developed around three interrelated issues: the reception of Weimar cinema, the inscribing of fascism in cinema and television, and the nature of, and potential for, alternatives to mainstream cinema and television. This extraordinary collectionpresents a provocative dialogue by distinguished authors employing a diversity of methods, theoretical premises, and styles. It is a book that will appeal to scholars and students of German culture and media in the fields of history, political science, film, and German studies.

-- Examines maverick figures of the early 1970s, such as Scorsese, Coppola and Lucas, independent film-makers such as Jim Jarmusch, Alison Anders and the CGI-specialists of the present day such as James Cameron. -- Includes chapters on the careers of the leading actors of the last thirty years, such as Jack Nicholson, Robert Redford, Julia Roberts, and Brad Pitt and explore the powerful position of the director and film star in the modern American film-making process. -- Looks at genres, sequels, remakes and recent developments in computer-based technologies and the financial implications of America's global markets on the American film industry. Contemporary U.S. Cinema examines important developments in American film-making over the past three decades, citing them as instances both of change and of continuity within the practices and processes of earlier phases of classic Hollywood cinema. The book divides into nine comprehensive and provocative chapters exploring, for example, directors, genres, and new developments in film making, Michael Allen offers a survey of significant events and trends of the past thirty years of American cinema and combines this with a detailed exploration of its most important figures and individual works.

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